The nominees for the National Book Award were announced earlier this week. I can recommend two of books in the fiction category: Daniyal Mueenuddin‘s In Other Rooms, Other Wonders, a carefully turned collection of stories that focus on class divisions in Pakistan, and Jayne Anne Phillips‘ Lark and Termite, a novel about the intersection of the Korean War and a broken family back in America. It’s harder for me to recommend Colum McCann‘s ambitious Let the Great World Spin a novel that seemed to foreground its bigness at the expense of its characters. My review of the book in the Chicago Sun-Times wraps up this way: “There’s plenty to admire in Let the Great World Spin, especially for anybody predisposed to the widescreen style of Don DeLillo’s Underworld. But the magic of Petit’s wirewalk was that it seemed so effortless, like walking on air. McCann too often lets the reader know just how difficult a balancing act he’s trying to pull off.” The rest of the nominees? Your guess is as good as mine.
The typewriter that Cormac McCarthy has used to write all his novels until now is going up for auction.
The pleasures of reading To Kill a Mockingbird aloud.
Perhaps Lorrie Moore is trying too hard to be funny? (I haven’t gotten to A Gate at the Stairs, but the “jokes” in Self-Help do do a lot of the work. But they’re often anti-jokes, planted to show how sad or despairing or resentful a character is. She jokes a lot, but she’s not trying to get you to laugh.)
Cynthia Ozick on the Kindle: “A robot!” “A foreign object!”
Willa Cather‘s development as a novelist.
Junot Diaz in Oprah magazine: “[A] writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.”
Will Ferrell will star in a film based on a Raymond Carver short story (“Why Don’t You Dance?”, I think).
Lastly, this from the Department of Condescending Media: When a football player reads books, it’s news.
Happy Friday! Here’s a guide to depressing novels.
Jonathan Lethem recalls his longtime relationship with the works of Philip K. Dick (via i09).
NYRB Classics editor Edwin Frank talks with Washington City Paper about its reissue of Don Carpenter‘s excellent debut novel, Hard Rain Falling.
The Road director John Hillcoat is looking to film The Wettest County in the World, Matt Bondurant‘s bracing 2008 novel about Virginia bootleggers.
Newark, New Jersey, makes its pitch to be a “major cultural capital” by landing a major poetry conference. Jayne Anne Phillips approves.
Meanwhile in Newark, Amiri Baraka turns 75.
Flavorwire has a Q&A with Joyce Carol Oates, who reveals that she’s working on a memoir titled The Seige: A Widow’s First Six Months.
Liked the book? Buy the handbag.
Elmore Leonard will receive PEN USA’s lifetime achievement award.
Why Vladimir Nabokov‘s unfinished novel The Original of Laura won’t be available as an e-book.
The case for Alice McDermott as an important Catholic novelist.
James Ellroy: “I distrust people who do not err on the side of action. And there’s a distinction between being conflicted and being ambivalent. Ambivalence connotes wishy-washiness, being conflicted connotes a clash of dramatic choices. And so I despise the idea of shades of grey or ambiguity standing as ultimate moral value or literary value.“
Posted in Alice McDermott, Amiri Baraka, Don Carpenter, Elmore Leonard, James Ellroy, Jayne Anne Phillips, Jonathan Lethem, Joyce Carol Oates, Matt Bondurant, Philip K. Dick, Vladimir Nabokov
Most reviews of Jayne Anne Phillips‘ beautiful, curiously structured new novel, Lark & Termite, suggest a connection to William Faulkner‘s The Sound and the Fury. It’s hard to avoid that impression—the novel is a Southern story, and Termite is a child who can’t walk and can only parrot back what others say. But it’d be a mistake to characterize Termite as a Benjy Compson-esque boy, and for her part Phillips is avoiding the comparison. She changes the subject in an interview with the Oregonian:
When Phillips is reminded of Faulkner’s inspiration for “The Sound and the Fury,” she has no direct reaction but talks about how “there was a lot of kismet around this book.” She once admired a sketch by her friend, artist Mary Sherman, who immediately tore it out of her sketchbook and gave it to Phillips. The sketch is the frontispiece to “Lark and Termite” and contains Sherman’s scribbled note with the word Termite, a gift of the character’s name and image.
And besides, though Faulkner tinkered often with structure, the arrangement of Lark & Termite, shuttling between nine years in West Virginia and Korea, is wholly her own. The central incident in the Korean sections, in fact, only came later:
Much later, after she knew that part of the book would be set in Korea, Phillips read the Associated Press story about the events at No Gun Ri, when South Korean civilians were killed by U.S. troops. Phillips can remember the day she read the story, “in 1999, Sept. 30, to be exact,” and what accompanied it.
“There was a big color photo of a tunnel, and as soon as I saw it, I knew that’s what happened to (one of her characters),” she said.