The Daily Caller brings word that Christopher Hitchens has an article in the latest issue of City Journal bemoaning the lack of a great novel set in Washington, D.C. (The Daily Caller piece recommends William Peter Blatty‘s The Exorcist as a candidate, due to its thread of noble humanism, before the author equates pro-choice advocates with angry demons that require exorcising. Writing a great Washington novel requires getting one’s head around that kind of logic, which may help explain why the job is so difficult.) The City Journal article isn’t online, but Hitchens has registered this complaint before. Writing in the Washington Post in 1989, he held his nose while reading Allen Drury‘s Advise and Consent and damned the whole genre:
Verisimilitude…is probably not worth having. It is best to treat Washington as an idea rather than a place. In different ways, authors as various as Richard Condon and Christopher Buckley have written successful and enjoyable novels by getting this point and opting for the willing suspension of disbelief. Jeffrey Archer, who can’t write, has at least tried the same tactic, though he sets too much store by “researched” descriptions of situation rooms, Pentagon offices and other arcana. Paragraphs that tell you the exact time that so-and-so stepped out of a Foggy Bottom elevator belong in pulp journalism not pulp fiction.
In 1995 he was at it again, demolishing Charles McCarry‘s Shelley’s Heart by riffing on the Washington novel’s flaws: “Most ‘Washington novels’ still have the same cast: a President (inescapable), a British ambassador, a prominent hostess, a lobbyist or journalist, and a senator…. [S]enators have ‘manes,’ rooms are filled with smoke, party allegiances are strong and distinct, regional characteristics are heavily stressed among members of Congress, and newspapers are ruthlessly committed to breaking stories at any cost.”
Clearly Hitchens hasn’t found any worthy candidates in the 15 years since his New York Review of Books piece, and he’s not alone in his frustration, though a few candidates have cropped up. I’d be interested to see if he’s spent any time with Ward Just‘s Echo House, a George Pelecanos novel or two, or even Frederick Reuss‘ recent A Geography of Secrets. I’ll update once I get my hands on a copy of the City Journal article. Of course, I welcome recommendations in the comments of worthy D.C. novels, or thoughts about what such a book requires to be “great.”